
Minas Gerais — 36th Bienal de São Paulo: Not All Travellers Walk Roads
On view until 2 December 2026
Palácio das Artes, Belo Horizonte, Brazil
Following my inclusion in the main exhibition and subsequent touring rounds, I am thrilled to present work in the final itinerância of the 36th Bienal de São Paulo. Invited by Chief Curator Bonaventure Soh Bejeng Ndikung, this landmark exhibition continues to explore displacement and resistance, mapping artists by the rivers and landscapes that shape our histories.
Book Launch & Panel Discussion

1-54 London: Ô Cameroon! Book Launch
17 October 2026 | Somerset House, London
I was delighted to join a panel at Somerset House celebrating the launch of Ô Cameroon! Modern and Contemporary Art and Artists From 1925 to Now by Ozong Agborsangaya-Fiteu. Alongside the author, art historian Dr. Christine Eyene and curator Aude Christel Mgba, we discussed Cameroon's artistic evolution and its vital contributions to global art history.
The landmark publication, documenting a century of Cameroonian art, was also recently featured in The Guardian, highlighting the importance of preserving and sharing the country's rich artistic heritage.
Recent Exhibition

Exiting the Forest, Into a Sea of Open Arms
17 July – 29 August 2026 | Hypha Gallery, No. 1 Poultry, London, UK
I am currently exhibiting in the debut show by Vibrantform, a UK-based collective of Black male artists and cultural workers. Curated by Thomas James, the exhibition explores identity, memory, and the creative power of navigating artistic life together.

Southern Biennials, Southern-Facing Museums, and Other Transitions
22 October 2025 | Universidad Nacional de Educación, Bienal de Cuenca, Ecuador
Co-presented by The Bronx Museum and the Bienal de Cuenca, I participated in a live panel and roundtable discussion streamed from the Universidad Nacional de Educación in Cuenca. Building on prior dialogues with the Royal College of Art, the session brought together curators and scholars to examine shifts in Global South biennials, institutional power dynamics, and decolonial practices.

Minas Gerais — 36th Bienal de São Paulo: Not All Travellers Walk Roads
On view until 2 December 2026
Palácio das Artes, Belo Horizonte, Brazil
Following my inclusion in the main exhibition and subsequent touring rounds, I am thrilled to present work in the final itinerância of the 36th Bienal de São Paulo. Invited by Chief Curator Bonaventure Soh Bejeng Ndikung, this landmark exhibition continues to explore displacement and resistance, mapping artists by the rivers and landscapes that shape our histories.
Book Launch & Panel Discussion

1-54 London: Ô Cameroon! Book Launch
17 October 2026 | Somerset House, London
I was delighted to join a panel at Somerset House celebrating the launch of Ô Cameroon! Modern and Contemporary Art and Artists From 1925 to Now by Ozong Agborsangaya-Fiteu. Alongside the author, art historian Dr. Christine Eyene and curator Aude Christel Mgba, we discussed Cameroon's artistic evolution and its vital contributions to global art history.
The landmark publication, documenting a century of Cameroonian art, was also recently featured in The Guardian, highlighting the importance of preserving and sharing the country's rich artistic heritage.

Exiting the Forest, Into a Sea of Open Arms
17 July – 29 August 2026 | Hypha Gallery, No. 1 Poultry, London, UK
I am currently exhibiting in the debut show by Vibrantform, a UK-based collective of Black male artists and cultural workers. Curated by Thomas James, the exhibition explores identity, memory, and the creative power of navigating artistic life together.

Southern Biennials, Southern-Facing Museums, and Other Transitions
22 October 2025 | Universidad Nacional de Educación, Bienal de Cuenca, Ecuador
Co-presented by The Bronx Museum and the Bienal de Cuenca, I participated in a live panel and roundtable discussion streamed from the Universidad Nacional de Educación in Cuenca. Building on prior dialogues with the Royal College of Art, the session brought together curators and scholars to examine shifts in Global South biennials, institutional power dynamics, and decolonial practices.