Current

Exiting the Forest, Into a Sea of Open Arms
17 July – 29 August 2026 | Hypha Gallery, No. 1 Poultry, London, UK
I am currently exhibiting in the debut show by Vibrantform, a UK-based collective of Black male artists and cultural workers. Curated by Thomas James, the exhibition explores identity, memory, and the creative power of navigating artistic life together.

36th Bienal de São Paulo: Not All Travellers Walk Roads
September 2025 – January 2026 | Ciccillo Matarazzo Pavilion, São Paulo, Brazil
I recently presented work at the 36th Bienal de São Paulo, invited by Chief Curator Bonaventure Soh Bejeng Ndikung. This landmark exhibition explored displacement and resistance, mapping artists by the rivers and landscapes that shape our histories rather than national borders.

Southern Biennials, Southern-Facing Museums, and Other Transitions
22 October 2025 | Universidad Nacional de Educación, Bienal de Cuenca, Ecuador
Co-presented by The Bronx Museum and the Bienal de Cuenca, I participated in a live panel and roundtable discussion streamed from the Universidad Nacional de Educación in Cuenca. Building on prior dialogues with the Royal College of Art, the session brought together curators and scholars to examine shifts in Global South biennials, institutional power dynamics, and decolonial practices.

Exiting the Forest, Into a Sea of Open Arms
17 July – 29 August 2026 | Hypha Gallery, No. 1 Poultry, London, UK
I am currently exhibiting in the debut show by Vibrantform, a UK-based collective of Black male artists and cultural workers. Curated by Thomas James, the exhibition explores identity, memory, and the creative power of navigating artistic life together.

36th Bienal de São Paulo: Not All Travellers Walk Roads
September 2025 – January 2026 | Ciccillo Matarazzo Pavilion, São Paulo, Brazil
I recently presented work at the 36th Bienal de São Paulo, invited by Chief Curator Bonaventure Soh Bejeng Ndikung. This landmark exhibition explored displacement and resistance, mapping artists by the rivers and landscapes that shape our histories rather than national borders.

Southern Biennials, Southern-Facing Museums, and Other Transitions
22 October 2025 | Universidad Nacional de Educación, Bienal de Cuenca, Ecuador
Co-presented by The Bronx Museum and the Bienal de Cuenca, I participated in a live panel and roundtable discussion streamed from the Universidad Nacional de Educación in Cuenca. Building on prior dialogues with the Royal College of Art, the session brought together curators and scholars to examine shifts in Global South biennials, institutional power dynamics, and decolonial practices.